| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
The Manuscript Painting Tradition 1 he third Khanda of the Vishnudharmottara Purana, T a fifth century text has a chapter Chitrasutra, which should... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
and local artistic traditions to create a unique Indian abstract art. This style became successful in the West and later in India and came to be kn... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
rough texture and surface in their works as a new artistic language. It included artists, such as Gulam Mohammed Sheikh, Jyoti Bhatt, Ambadas, Jera... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
art historians like Ananda Coomaraswamy around the late nineteenth century and early twentieth century. It meant that we cannot understand Indian m... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
and Bhupen Khakar in Baroda started using storytelling in their paintings, Jogen Chowdhury, Bikash Bhattacharjee and Ganesh Pyne in West Bengal, to... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
and a founding member of the Baroda Art School, had studied in G. M. Sheikh, Shantiniketan. He had learned about the public role of City for Sale, ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
highways to autorickshaws, in the back alleys 1988. Kala Bhavana, of small towns and in small shops. Santiniketan, West Bengal, India Reprint 2026-... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
with photographs displayed in glass cases. It offered a new immersive experience, which affected almost all our senses. However, it was more depend... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
in the demarcated space on the upper portion of the painting or on its reverse. Accordingly, one would have sets of the Ramayana paintings, or Bhag... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
challenging the constituted timeline and compelling scholars to modify and redefine the chronology in history. In this light, undated sets of paint... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
They are— an elephant, a bull, a tiger, goddess Shri, a kalash, a palanquin, a pond, a rivulet, fire, banners, garlands, heap of jewels, the Sun an... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
called patlis, placed on top and bottom of the manuscript. Early Jain paintings were traditionally done on palm leaves before paper was introduced ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
been documented through catalogues. Even social media has played a major role in evolving local art. As a student of visual arts one must explore a... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
7 |
The Lives of Medieval Saints, a mural in Hindi Bhavana, Shantiniketan, was created by Benode Behari Mukherjee around the eve of India’s Independenc... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
episode. Indra praising Devasano Pado, Kalpasutra, Gujarat, about 1475. Collection: Boston These paintings were lavishly painted with profuse use o... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
another strain of influence— Reprint 2026-27 8 A nIntroductIon tndIAn Art—P ArtII Persian, Turkic and Afghan—percolated into the mainland and appea... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
1 |
instruction, and took back specimens of Pala Buddhist art in the form of bronze and illustrated manuscripts. Reprint 2026-27 the MAnuscrIPtPAIntIng... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
The Rajasthani Schools of Painting he term ‘Rajasthani Schools of Painting’ pertains to T the schools of painting that prevailed in the princely ki... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
The RajasThanschools oP ainTing 11 hair were used in brushes. On completion, the painting was burnished with an agate to lend it a uniform sheen an... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
text of artists, Rasamanjari, interpreted as the ‘Bouquet of Delight’. Written in Sanskrit, the text is a treatise on rasa and deals with the class... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
Madho Das in 1680 CE. A large number of Malwa paintings discovered from the Datia Palace collection supports a claim for Bundelkhand as the region ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
Ragamala paintings painted at Chawand in 1605 by an artist named Nisardin. The set has a colophon page that reveals the above vital information. Th... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
reds and yellows. Reprint 2026-27 The RajasThanschools oPainTing 17 Nathdwara, a town close to Udaipur and a prominent Vaishnava centre, also emerg... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
Budh Singh, whose whiskered face is visible in many portraits. Despite numerous political disputes and having lost his kingdom four times, he is kn... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
Khwaja Abddus Samad of the Mughal court. They mention Chunar (near Benaras) as the place of origin of the painting, where Rao Bhoj Singh and his fa... |
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