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Fine Art |
An Introduction to Indian A... |
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by provincial Mughal rulers. These rulers imitated the Mughal royalties and wanted to recreate in paintings the glory of their dynasty Bahadur Shah... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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stage of making the composition, i.e., tarh, to portraits, i.e., chiharanama to the final stage of colouring, i.e., rangamizi. Colours and Techniqu... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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of your choice. Create a manuscript with your translation in a calligraphic style and ornate borders, drawing inspiration from the Mughal manuscrip... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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York, USA. Harivamsa Purana is one of the many Sanskrit manuscripts, which were translated into Persian by the Mughals. This painting is on a theme... |
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An Introduction to Indian A... |
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had acquired it. Jahangir wrote on the painting in Persian, the court language, that it was: “A mule which the Turks (rumiyan ) in the company of M... |
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Fine Art |
An Introduction to Indian A... |
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The Deccani Schools of Painting he history of Deccani Painting can largely be constructed T from the late sixteenth century until the 1680sthe time... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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strong affinity to regional aesthetics. The school preferred dense composition and attempted to create an aura of romance, which invariably express... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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domes over the archades. All these features, except the hairstyle, have traces of north India or Persia. Reprint 2026-27 thed eccAnSchoolS ofPAIntI... |
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An Introduction to Indian A... |
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are, as we have seen, Indian in their connections, with definite echoes of the Lepakshi style. They exemplify the luxuriant aestheticism of the Adi... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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her body, which has exquisite flora surrounding it in exquisite landscape. Golconda School of Painting Golconda became an independent state in 1512... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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screens one above the other. The ground appears covered with elaborately patterned carpets. It is important to note here that the painting suggests... |
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Fine Art |
An Introduction to Indian A... |
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furnace for about 2 to 3 hours till the metal turns into a molten state. The moulds are, then, taken out with a pair of tongs, turned upside down, ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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The galloping horse generates energy, which visually activates the entire panoramic landscape. This painting is in the collection of the Institute ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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and breaks the architectonic structuring. Reprint 2026-27 64 An ntroductIon tIndIAnArt—P ArtII s ultan a bdullaH Q utb s HaH An important portrait ... |
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An Introduction to Indian A... |
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polo game, a popular royal sport of the time. The painting appears to be provincial of much later period, and is in the collection of National Muse... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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The Pahari Schools of Painting ahari denotes ‘hilly or mountainous’ in origin. Pahari P Schools of Painting includes towns, such as Basohli, Guler,... |
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An Introduction to Indian A... |
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Pandit Seu (Shiv) was chiefly responsible for the course of Pahari paintings. He argues that identifying Pahari paintings on the basis of regions c... |
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An Introduction to Indian A... |
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phase. Reprint 2026-27 the PAhArISchoolS oPAIntIng 69 Basohli School The first and most dramatic example of work from the hill states is from Basoh... |
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An Introduction to Indian A... |
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one of the favourite texts of the hill artists at Basohli, as well as, Kullu. This set derives its name from ‘Shangri’, the place of residence of a... |
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An Introduction to Indian A... |
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the same set depicts Rama and Lakshmana accompanying sage Vishvamitra to the forest to defeat the demons, who would distress the hermits by disturb... |
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An Introduction to Indian A... |
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2026-27 the PAhArISchoolS oPAIntIng 73 Sons and grandsons of Manak and Nainsukh worked at many other centres and are responsible for the finest exa... |
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numerous portraits of his enthusiastic patron Raja Govardhan Chand and his family. Prakash Chand, successor of Govardhan Chand, shared his father’s... |
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till 1786, and later, the Sikhs. Sansar Chand’s son Aniruddha Chand (1823–1831), too, was a generous patron and is often seen painted with his cour... |
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An Introduction to Indian A... |
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This series of Bhagvata Purana paintings is one of the greatest achievements of Kangra artists. It is remarkable for its effortless naturalism, def... |
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An Introduction to Indian A... |
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of Yashoda, who along with other gopis, holds out her garment in a gesture of removing the evil eye after the young Krishna performed the brave fea... |
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