| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
excels in the depiction of hunting scenes and reflects an exceptional excitement and obsession for animal chase. Bundi and Kota were parts of the s... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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paintings are characteristically spontaneous, calligraphic in execution and emphasise on marked shading, especially, the double–lid eye. Artists of... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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of his pupils, who may not be painting in the same style as the master. However, it becomes evident from these entries that the master artist would... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
were already working in the Kishangarh court. A distinctive style of the state with a general tendency to elongate the human form, making lavish us... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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most prominent one. His successor Ajit Singh (1679–1724) became the king after 25 years of war with Aurangzeb, which was fought by legendary warrio... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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(1699–1743), an influential ruler, established a new capital city Jaipur named after him in 1727 and shifted from Amer. Jaipur School of paintings ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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Govinda, Ragamala, Bhagvata Purana, etc., got renewed stimulus. As elsewhere, many copies were also produced by means of tracing and pouncing. By t... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
an nTRoducTion TindianaRT—P aRTii M aru r agini A particular set of Ragamala paintings from Mewar is, especially, important as one of its paintings... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
perception of speed and a horse in motion that he accomplished by completely negating the rendering of the foreground. The horse is seen galloping ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
composition with minimal and suggestive representation of architecture and elements of landscape. Nuruddin has ingeniously employed the device of s... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
of Radha and Krishna. He writes about her in a poem Bihari Jas Chandrika, which became the basis for Nihal chand’s painting of Bani Thani, thus,rep... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
in Chitrakut, the story in the painting begins with the three mothers along with the wives of the princes proceeding towards the thatched dwellings... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
The Mughal School of Miniature Painting ughal painting is the style of miniature painting that M developed in the northern Indian subcontinent in t... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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which resulted in a harmonious blend of Indo-Iranian styles, especially during its early years. This celebrated eminence in Mughal art was possible... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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time. The Mughal patrons contributed to the proliferation of the Mughal style of painting with their distinct artistic preferences, choice of subje... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
the Persian school of painting, Herat (now in present day Afghanistan), and was known for his sophisticated compositions and colour tints. Also, Sh... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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art of portraiture. A bibliophile of discerning sensitivity, Humayun’s rule began a period of intense patronage for the art of painting and calligr... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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growing and peculiar Mughal sensibility and distinct imperial taste. The tradition and fascination for painting started by Humayun was carried forw... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
of artists, who could be inspired by a number Museum of Applied Arts, of artistic traditions. The immediate natural surroundings Vienna became the ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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Ramayana were also carried out around this time. Artists like Govardhan and Miskin were celebrated for their visuals of court scenes. Akbar Nama, a... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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Akbar had formalised the Mughal miniature style and set standards, which were further taken to new heights by his son Jahangir (1605–1627). Prince ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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distinctiveness of flora andfauna. Jahangir was presented with paintings and decorative objects, depicting high arts from Europe, as gifts from the... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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importance to this event as hands are raised and heads bow to salute Jahangir. Jahangir’s Dream (1618–22) by Abul Hasan, given the title Nadir al Z... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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a booktoShaikhHusainoftheChistiShrine,descendent of Shaikh Salim, in whose honour Akbar had named his son Salim. The son of Jahangir, Prince Khurra... |
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| Class XII |
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An Introduction to Indian A... |
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time. Rembrandt, a celebrated European painter, was deeply inspired by the Mughal court painting and made studies of several Indian drawings to mas... |
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